Matisse's Sculpture. The Pinup and the Primitive

Long perceived as a side pursuit to his celebrated painting career, Henri Matisse's sculpture receives an overdue critical examination in this book. Beginning in 1906, soon after the artist acquired his first African sculpture, Matisse found inspiration in erotic and ethnographic photography, which had become inexpensively mass-produced thanks to advances in halftone technology. Working from these two radically different depictions of the body – one hand carved, the other mechanically made – was a foundational method for Matisse and crucial to the development of his pre-World War I abstraction. Far from a simple narrative of the artist "discovering" Africa, the highly original readings of Matisse's Sculpture plot new coordinates of study for early twentieth-century primitivism. The book examines the larger constructs of thought at the time, with a penetrating analysis of anthropology, popular erotica, and the visual culture of the French. In addition, it repositions Matisse's sculptural practice, particularly in regard to its investigations of race and sexuality, as a cornerstone of his prolific career.
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An aparitie	March 2014
Autor	McBreen Ellen
Dimensiuni	28x23 cm
Editura	Yale University Press
Format	Hardback
Limba	Engleza
Nr pag	288